February 2007
I'm going to be working with Tom Morris (associate director at the National Theatre) exploring a staging of Beethoven's Op 131 String Quartet. Beethoven went almost completely deaf in his early thirties, and composed this piece more than fifteen years later. More on this in the summer when we'll have spent a week with some fantastic players.
I'm going to be working with Tom Morris (associate director at the National Theatre) exploring a staging of Beethoven's Op 131 String Quartet. Beethoven went almost completely deaf in his early thirties, and composed this piece more than fifteen years later. More on this in the summer when we'll have spent a week with some fantastic players.
